Shocking, Heartbreaking, Transformative

What really happens when stories about people’s lives are collected, edited, and consumed? Radiotopia Presents: Shocking, Heartbreaking, Transformative is a five-part non-fiction series created by Jess Shane, about the nuts and bolts of documentary storytelling, the power dynamics between makers and subjects, and rewriting unwritten rules of the documentary and non-fiction content industry.
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Reflective but concerning
17/12/2024
Most of all, I think the podcaster needs to get a degree in social work to clue in to how she presents herself (and misrepresents herself) and puts herself in her subjects’ shoes. She misses obvious signs of trauma and mental health issues and defaults to examining her own meta ideas. Very interesting idea though. Get a social worker in your team though, STAT!
Loved it
29 thg 4
I think a lot of the negative reviews are coming from people who don’t understand what Shane was trying to do with this show. She uses herself and her position to expose the messy and exploitative nature in our documentary media landscape. I found the show super interesting to listen to. Would recommend!
Refreshing and self aware
3 thg 4
Those giving this low ratings don’t truly get the producer’s intention. This is simultaneously an interrogation of how documentary gets made — the magic behind the curtain, so to speak — as well as a failed attempt to flip the unequal process in which producers, whether for podcasts or docs, get all the wins like career, rep, money. People coming to find stories that conform to standard documentary — sensational, dramatic type stuff — will be disappointed. Jess doesn’t play to the typical “rules”. That’s the point.
Wish the series had fulfilled the creator’s stated objective
15 thg 3
I don’t understand how waiting until the end to do a marathon listen with the participants was collaboration. People aren’t neat and tidy, and the creator seemed stuck on typical documentarian pursuit of near and tidy without understanding that working with people requires effort to meet them where they are and work in a way that they can participate. The premises of the series was interesting to me, and I would have welcomed something that was outside of the typical documentarian view of what draws in listeners. Instead, the main “characters” (or people, as those outside the industry would call them) were just an excuse for the narrator to talk about herself. I was relieved to hear a modicum self awareness at the end, but it wasn’t enough.
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